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Her physician prescribes the open air, and she finds a quiet retreat at the hut - the workplace - of Parkin, the estate's gamekeeper. Class distinctions and gender roles may be barriers to the affair becoming more.

The impact awakens her somnolent sexuality and she manages to visit Parkin daily, gradually allowing her lust to unfold.

Parkin is 'below her class' but is a masculine, sensuous embodiment of everything Constance has never experienced.

DH Lawrence's novels may be tough to translate to the screen, so much of his writing is dependent on the words on the page as they form images of extraordinary beauty and sensuality.

His novels are quintessentially British and reflect on the dehumanizing effects of modernity and industrialization, confronting issues relating to emotional health and vitality, spontaneity, sexuality, and human instinct.

But it would be hard to imagine two actors who could match the subtlety and sexual tension that Marina Hands and Jean-Louis Coullo'ch to this film.

It is breathtakingly beautiful to experience DH Lawrence's story in the hands of the French crew and cast.During his lifetime he was even labeled a pornographer, but that was then and now is now, and under the gifted guidance of director/writer (with Roger Bohbot and Pierre Trividic) Pascale Ferran, Lawrence's exquisite tale of sexual awakening has found what for this viewer is the finest transition of the novel to the screen.The place is England after WW I and Sir Clifford Chatterley (Hippolyte Girardot) is the paraplegic wealthy husband of Constance/Lady Chatterley (a radiant Marina Hands).The book was also banned for obscenity in the United States, Canada, Australia, India and Japan.The book soon became notorious for its story of the physical (and emotional) relationship between a working class man and an upper class woman, its explicit descriptions of sex, and its use of then-unprintable words.In Lady Chatterley's Lover, Lawrence comes full circle to argue once again for individual regeneration, which can be found only through the relationship between man and woman (and, he asserts sometimes, man and man).Love and personal relationships are the threads that bind this novel together.Constance travels to London, the Riviera, and other ports, only to return home believing that Parkin has reclaimed his ex-wife.But there are many surprises that greet her and the manner in which the story resolves (in Ferran's hands) leaves us unsure of the future.The story concerns a young married woman, the former Constance Reid (Lady Chatterley), whose upper class husband, Sir Clifford Chatterley, described as a handsome, well-built man, has been paralysed from the waist down due to a Great War injury.In addition to Clifford's physical limitations, his emotional neglect of Constance forces distance between the couple.

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