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More explicit sexual imagery occurring in the Mannerist and Tenebrist styles of the 16th and 17th centuries, especially in artists such as Agnolo Bronzino, Carlo Saraceni and Caravaggio, whose works were sometimes severely criticized by the Catholic Church.
Many 19th century history paintings of classical characters such as Hyacinth, Ganymede and Narcissus can also be interpreted as homoerotic; the work of late 19th-century artists (such as Thomas Eakins, Eugène Jansson, Henry Scott Tuke, Aubrey Beardsley and Magnus Enckell); through to the modern work of fine artists such as Paul Cadmus and Gilbert & George. Also of note is the 1999 feature-length BBC adaptation of Oranges Are Not The Only Fruit.
The concept differs from the concept of homosexuality: it refers specifically to the desire itself, which can be temporary, whereas "homosexuality" implies a more permanent state of identity or sexual orientation.
In many texts in the English-speaking world, lesbians have been presented as intensely sexual but also predatory and dangerous (the characters are often vampires) and the primacy of heterosexuality is usually re-asserted at the story's end.
This shows the difference between homoeroticism as a product of the wider culture and homosexual art produced by gay men and women.
More recently, lesbian homoeroticism has flowered in photography and the writing of authors such as Patrick Califia and Jeanette Winterson.
Female homoerotic art by lesbian artists has often been less culturally prominent than the presentation of lesbian eroticism by non-lesbians and for a primarily non-lesbian audience.
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Thus, scholars have analyzed the historical context in many homoerotic representations such as classical mythology, Renaissance literature, paintings and vase-paintings of ancient Greece and Ancient Roman pottery.
Though homoeroticism can differ from the interpersonal homoerotic — as a set of artistic and performative traditions, in which such feelings can be embodied in culture and thus expressed into the wider society The term "homoerotic" carries with it the weight of modern classifications of love and desire that may not have existed in previous eras.
Male-male examples, in the visual fine arts, range through history: Ancient Greek vase art; Roman wine goblets (The Warren Cup).
Several Italian Renaissance artists are thought to have been homosexual, and homoerotic appreciation of the male body has been identified by critics in works by Leonardo da Vinci and Michelangelo.